A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Kafi
Preferred time or season for playing
Time:
Midnight
The most prominent note of a raga
Vadi
/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 5 notes
Audav
-
Containing 5 notes
Audav
Alternative names:
Audav Bageshri
Emotions evoked by the raga
Mood:
Bhakti (Devotion), Shringar (Romantic)
Bageshri Kauns is a combination of Bageshri and Malkauns. Owing to the Malkauns nature, it completely omits P. Due to its Audav-Audav nature, it is also referred to as Audav Bageshri. Another interpretation calls it Kafi
A basis for the organisation and classification of ragas depending on the notes used
thaat
 Chandrakauns or Bageshri
Style of presenting based on another raga
ang
 Chandrakauns.