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A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Marwa
Preferred time or season for playing
Time:
Dawn
The most prominent note of a raga
Vadi/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 5 notes
Audav-
Containing 7 notes
Sampurna
Do not follow strict ascending or descending order of notes
Vakra
Emotions evoked by the raga
Mood:
Shant (Serene, Peaceful)
Bhatiyar is a morning
Sunrise or sunset time period
sandhiprakash raga. This raga has a complex structure with shades of many ragas such as Kedar, Mand, Marwa, and Bibhas. It has some curvy movements and hence complex phrases. It has
A flat note
komal and uses both forms of . The use of
A sharp note
tivra is confined only to
Ascending movement of notes
aroh, usually with phrases like /.
A natural note (corresponds to notes in Western major scale)
Shuddha is more prominent and is used liberally in both aroh and
Descending movement of notes
avaroh. It has some unique phrases like , , etc.