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A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Bhairav
Preferred time or season for playing
Time:
Early morning
The most prominent note of a raga
Vadi/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 5 notes
Audav-
Containing 5 notes
Audav
Alternative names:
Vibhas
Emotions evoked by the raga
Mood:
Bhakti (Devotion), Gambhir (Serious), Shant (Serene, Peaceful)
Bibhas is one of the morning ragas. It omits and . All the notes are
A natural note (corresponds to notes in Western major scale)
shuddha except and . Most of its phrases will be from upper octave thus making it an
With focus on notes higher than M or P (depending on the point of view) of the middle octave
uttarang pradhan raga. Bibhas of Bhairav
A basis for the organisation and classification of ragas depending on the notes used
thaat is widely presented. Some artists/lineages use shuddha instead of
A flat note
komal (such variation is sometimes referred to as Shudh Dhaivat Bibhas). There are a couple more variants of Bibhas, called Marwa thaat Bibhas and Poorvi thaat Bibhas, which are very rarely heard.