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A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Marwa
Preferred time or season for playing
Time:
Dusk
The most prominent note of a raga
Vadi/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 6 notes
Shadav-
Containing 6 notes
Shadav
Do not follow strict ascending or descending order of notes
Vakra
Alternative names:
Marva
Emotions evoked by the raga
Mood:
Bhakti (Devotion), Gambhir (Serious), Karun (Sad, Compassionate), Shant (Serene, Peaceful)
Marwa is the representative raga of Marwa
A basis for the organisation and classification of ragas depending on the notes used
thaat. This raga omits and has
A flat note
komal and
A sharp note
tivra . Both and have high prominence in this raga, to the extent that even seems less prominent. This raga is presented in all three octaves. Both Puriya and Sohni have the same notes as that of Marwa. But Puriya differs by its
With focus on notes lower than M or P (depending on the point of view) of the middle octave
poorvang pradhan nature and by shifting prominence from and to and . Sohani differs by its
With focus on notes higher than M or P (depending on the point of view) of the middle octave
uttarang pradhan character and
Lively and playful
chanchal nature, in addition to different phrasings.