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A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Kafi
Preferred time or season for playing
Time:
Early night
The most prominent note of a raga
Vadi/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 5 notes
Audav-
Containing 5 notes
Audav
Emotions evoked by the raga
Mood:
Chanchal (Lively), Karun (Sad, Compassionate)
Shivranjani is a raga of
Lively and playful
chanchal nature. Therefore, detailed classical presentations are rarely heard in this raga. It is mostly used in semi-classical presentations and chota khyals. It omits and . is the only
A flat note
komal note used. This raga is like Bhoop except for
A flat note
komal . Sometimes
A natural note (corresponds to notes in Western major scale)
shuddha is also used in which case it is called Mishra Shivranjani.