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A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Todi
Preferred time or season for playing
Time:
Late morning
The most prominent note of a raga
Vadi/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 6 notes
Shadav-
Containing 6 notes
Shadav
Emotions evoked by the raga
Mood:
Bhakti (Devotion), Gambhir (Serious), Karun (Sad, Compassionate), Shant (Serene, Peaceful)
Gujari Todi is one of the most popular and important variants of Todi. This raga omits . It has the notes , ,
A flat note
komal and
A sharp note
tivra. The is
A natural note (corresponds to notes in Western major scale)
shuddha. The most similar raga to this is Miyan ki Todi which has in the
Descending movement of notes
avaroh. Gurjari Todi has more prominence/sustenance on compared to Miyan ki Todi. Usually the alaps start from lower . This is a serious natured raga and presented in all three octaves, though it is slightly
With focus on notes higher than M or P (depending on the point of view) of the middle octave
uttarang pradhan raga.