S
R
G
M
P
D
N
A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Todi
Preferred time or season for playing
Time:
Late morning
The most prominent note of a raga
Vadi
/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 6 notes
Shadav
-
Containing 6 notes
Shadav
Emotions evoked by the raga
Mood:
Bhakti (Devotion), Gambhir (Serious), Karun (Sad, Compassionate), Shant (Serene, Peaceful)
Gujari Todi is one of the most popular and important variants of Todi. This raga omits . It has the notes , ,
A flat note
komal
and
A sharp note
tivra
. The is
A natural note (corresponds to notes in Western major scale)
shuddha
. The most similar raga to this is Miyan ki Todi which has in the
Descending movement of notes
avaroh
. Gurjari Todi has more prominence/sustenance on compared to Miyan ki Todi. Usually the alaps start from lower . This is a serious natured raga and presented in all three octaves, though it is slightly
With focus on notes higher than M or P (depending on the point of view) of the middle octave
uttarang pradhan
raga.