A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Todi
Preferred time or season for playing
Time:
Late morning
The most prominent note of a raga
Vadi
/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 7 notes
Sampurna
-
Containing 7 notes
Sampurna
Do not follow strict ascending or descending order of notes
Vakra
Alternative names:
Todi, Miya Todi
Emotions evoked by the raga
Mood:
Bhakti (Devotion), Gambhir (Serious), Karun (Sad, Compassionate), Shant (Serene, Peaceful)
Miyan ki Todi, also referred to as Todi, is the representative raga of Todi
A basis for the organisation and classification of ragas depending on the notes used
thaat
. It is believed that this raga was created by Miyan Tansen and hence the name. This raga is considered the base for all Todi variants. Todi has , ,
A flat note
komal
 and
A sharp note
tivra
. is mostly avoided in
Ascending movement of notes
aroh
. However, sometimes is used in aroh in a curvy phrase like is considered as the phrase that represents Todi
Style of presenting based on another raga
ang
. and are very komal when compared with average forms of the same komal notes and this imparts a tonality unique to Todi. This is a serious raga.