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A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Todi
Preferred time or season for playing
Time:
Late morning
The most prominent note of a raga
Vadi/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 7 notes
Sampurna-
Containing 7 notes
Sampurna
Do not follow strict ascending or descending order of notes
Vakra
Alternative names:
Todi, Miya Todi
Emotions evoked by the raga
Mood:
Bhakti (Devotion), Gambhir (Serious), Karun (Sad, Compassionate), Shant (Serene, Peaceful)
Miyan ki Todi, also referred to as Todi, is the representative raga of Todi
A basis for the organisation and classification of ragas depending on the notes used
thaat. It is believed that this raga was created by Miyan Tansen and hence the name. This raga is considered the base for all Todi variants. Todi has , ,
A flat note
komal and
A sharp note
tivra. is mostly avoided in
Ascending movement of notes
aroh. However, sometimes is used in aroh in a curvy phrase like is considered as the phrase that represents Todi
Style of presenting based on another raga
ang. and are very komal when compared with average forms of the same komal notes and this imparts a tonality unique to Todi. This is a serious raga.