S
R
G
M
P
D
N
Thaat:
Khamaj
Time:
Early evening
Vadi/Samvadi:
, 
Jati:
Audhav-Audhav
Mood:
Bhakti (Devotion), Chanchal (Lively), Shringar (Romantic)
Tilang is a raga suited mostly for semi-classical presentations. It omits and . Both forms of are used,
A natural note (corresponds to notes in Western major scale)
shuddha
in
Ascending movement of notes
aroh
and
A flat note
komal
in
Descending movement of notes
avaroh
. Though is omitted, sometimes it is used in the upper octave, in the
Descending movement of notes
avaroh
. is the key phrase of this raga.