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A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Khamaj
Preferred time or season for playing
Time:
Early evening
The most prominent note of a raga
Vadi/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 5 notes
Audav-
Containing 5 notes
Audav
Emotions evoked by the raga
Mood:
Bhakti (Devotion), Chanchal (Lively), Shringar (Romantic)
Tilang is a raga suited mostly for semi-classical presentations. It omits and . Both forms of are used,
A natural note (corresponds to notes in Western major scale)
shuddha in
Ascending movement of notes
aroh and
A flat note
komal in
Descending movement of notes
avaroh. Though is omitted, sometimes it is used in the upper octave, in the
Descending movement of notes
avaroh. is the key phrase of this raga.