A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Khamaj
Preferred time or season for playing
Time:
Early evening
The most prominent note of a raga
Vadi
/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 5 notes
Audav
-
Containing 5 notes
Audav
Emotions evoked by the raga
Mood:
Bhakti (Devotion), Chanchal (Lively), Shringar (Romantic)
Tilang is a raga suited mostly for semi-classical presentations. It omits and . Both forms of are used,
A natural note (corresponds to notes in Western major scale)
shuddha
 in
Ascending movement of notes
aroh
 and
A flat note
komal
 in
Descending movement of notes
avaroh
. Though is omitted, sometimes it is used in the upper octave, in the
Descending movement of notes
avaroh
. is the key phrase of this raga.