S
R
G
M
P
D
N
Thaat:
Khamaj
Time:
Early evening
Vadi/Samvadi:
, 
Jati:
Sampurna-Sampurna Vakra
Mood:
Chanchal (Lively), Shringar (Romantic)
Tilak Kamod is one among such ragas which are mostly used for chota khyals and semi-classical presentations. It omits and in
Ascending movement of notes
aroh
and all seven notes are used in the
Descending movement of notes
avaroh
, in a curvy manner. All the notes are
A natural note (corresponds to notes in Western major scale)
shuddha
. Direct descending from upper to like with a
Transitioning from one note to another in a gliding manner
meend
, and , are the key phrases of this raga. Some scholars also use
A flat note
komal
in the avaroh.