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A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Kafi
Preferred time or season for playing
Time:
Early night
The most prominent note of a raga
Vadi/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 5 notes
Audav-
Containing 7 notes
Sampurna
Alternative names:
Saindhavi
Emotions evoked by the raga
Mood:
Chanchal (Lively), Karun (Sad, Compassionate), Shringar (Romantic)
Sindhura is a raga suited for semi-classical presentations. It is also called Saindhavi. It omits and in
Ascending movement of notes
aroh and uses all seven notes in the
Descending movement of notes
avaroh. In avaroh both and are
A flat note
komal and the rest are
A natural note (corresponds to notes in Western major scale)
shuddha notes. Though is omitted in aroh, it is sometimes used in phrases like , but never along with . , , , are the key phrases.