A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Kalyan
Preferred time or season for playing
Time:
Afternoon
The most prominent note of a raga
Vadi
/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 5 notes
Audav
-
Containing 6 notes
Shadav
Do not follow strict ascending or descending order of notes
Vakra
Emotions evoked by the raga
Mood:
Shant (Serene, Peaceful), Shringar (Romantic)
As the name suggests, Shuddha Sarang is a variant of Sarang. This raga has Sarang and Kalyan as its components and is presented with Sarang
Style of presenting based on another raga
ang
. It omits and in
Ascending movement of notes
aroh
 and only in
Descending movement of notes
avaroh
. It uses both forms of and the rest of the notes are
A natural note (corresponds to notes in Western major scale)
shuddha
. Sometimes both forms of are used together like . Though is omitted in
Ascending movement of notes
aroh
, sometimes it is used in a curvy manner, like , which is one of the key phrases of this raga. Some scholars/lineages use
A flat note
komal
 in avaroh. The
Ascending movement of notes
aroh
 of this raga is similar to that of raga Shyam Kalyan, but gets differentiated by the absence of in
Descending movement of notes
avaroh
 and different phrasings.