A basis for the organisation and classification of ragas depending on the notes used
Thaat:Purvi
Preferred time or season for playing
Time:Dusk
The most prominent note of a raga
VadiThe second most prominent note of a raga
Samvadi:,
Categorization based on number of notes used in aroh and avaroh
Jati:Containing 5 notes
AudavContaining 7 notes
SampurnaEmotions evoked by the raga
Mood:Bhakti (Devotion), Gambhir (Serious), Shant (Serene, Peaceful)
Shree is one of the ancient ragas. It is one of the most serious ragas, suited for Khyals and Dhrupads. This omits and in while all seven notes are used in the . It has and , and other notes as . is more prominent and repeated and mostly with the grace of like . and phrases are used often. has the sustenance in the middle and upper octaves.
Sunrise or sunset time period
sandhiprakashAscending movement of notes
arohDescending movement of notes
avarohA flat note
komalA sharp note
tivraA natural note (corresponds to notes in Western major scale)
shuddha