A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Kafi
Preferred time or season for playing
Time:
Late afternoon
The most prominent note of a raga
Vadi
/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 5 notes
Audav
-
Containing 7 notes
Sampurna
Alternative names:
Patdip
Emotions evoked by the raga
Mood:
Karun (Sad, Compassionate), Shringar (Romantic)
Patdeep is one of the most recently created ragas. It has been created by replacing
A flat note
komal
 of Bhimpalas with
A natural note (corresponds to notes in Western major scale)
shuddha
 . Hence it is presented with Bhimpalasi
Style of presenting based on another raga
ang
 and grouped under Kafi
A basis for the organisation and classification of ragas depending on the notes used
thaat
. This raga has as the only
A flat note
komal
 note and rest of the notes are
A natural note (corresponds to notes in Western major scale)
shuddha
. and are omitted in
Ascending movement of notes
aroh
 and all the seven notes are used in
Descending movement of notes
avaroh
. is highlighted often to differentiate this raga from Bhimpalas. is not sustained in
Ascending movement of notes
aroh
. Though is omitted in
Ascending movement of notes
aroh
, it is used as a grace note in phrases like .