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A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Kafi
Preferred time or season for playing
Time:
Late afternoon
The most prominent note of a raga
Vadi/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 5 notes
Audav-
Containing 7 notes
Sampurna
Alternative names:
Patdip
Emotions evoked by the raga
Mood:
Karun (Sad, Compassionate), Shringar (Romantic)
Patdeep is one of the most recently created ragas. It has been created by replacing
A flat note
komal of Bhimpalas with
A natural note (corresponds to notes in Western major scale)
shuddha . Hence it is presented with Bhimpalasi
Style of presenting based on another raga
ang and grouped under Kafi
A basis for the organisation and classification of ragas depending on the notes used
thaat. This raga has as the only
A flat note
komal note and rest of the notes are
A natural note (corresponds to notes in Western major scale)
shuddha. and are omitted in
Ascending movement of notes
aroh and all the seven notes are used in
Descending movement of notes
avaroh. is highlighted often to differentiate this raga from Bhimpalas. is not sustained in
Ascending movement of notes
aroh. Though is omitted in
Ascending movement of notes
aroh, it is used as a grace note in phrases like .