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A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Todi
Preferred time or season for playing
Time:
Dusk
The most prominent note of a raga
Vadi/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 5 notes
Audav-
Containing 7 notes
Sampurna
Emotions evoked by the raga
Mood:
Bhakti (Devotion), Gambhir (Serious), Karun (Sad, Compassionate)
Multani is an evening
Sunrise or sunset time period
sandhiprakash raga. It has , ,
A flat note
komal and
A sharp note
tivra. It omits R and D in
Ascending movement of notes
aroh while all seven notes are used in
Descending movement of notes
avaroh. Though and are used in avaroh, they are not sustained. is always approached with the grace of tivra . Many times is presented with a subtle grace of in phrases like , , which are characteristic phrases of Multani. Most
Melodic improvisation that introduces and develops a raga
alaps/
Fast passage in a presentation. Typically 2 or more notes in a beat
taans start from lower .