S
R
G
M
P
D
N
Thaat:
Kalyan
Time:
Late evening
Vadi/Samvadi:
,  (or , )
Jati:
Audhav-Sampurna
Mood:
Shant (Serene, Peaceful), Shringar (Romantic)
Maru Bihag is a new raga, created by mixing Bihag and Kalyan. It omits and in
Ascending movement of notes
aroh
while all seven notes are used in
Descending movement of notes
avaroh
. It uses both forms of of which
A sharp note
tivra
is used both in aroh and avaroh.
A natural note (corresponds to notes in Western major scale)
Shuddha
is used in aroh as and it is not used in any other phrase/manner. The rest of the notes are shuddha. This raga has the structure of Bihag in aroh and Kalyan in avaroh. Kalyan
Style of presenting based on another raga
ang
is more prominent and the use of shuddha is limited, but to be used. If shuddha is not used, then it is called Marg Bihag.