A new version is available. Please save your work and
A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Purvi
Preferred time or season for playing
Time:
Dawn
The most prominent note of a raga
Vadi/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 6 notes
Shadav-
Containing 6 notes
Shadav
Do not follow strict ascending or descending order of notes
Vakra
Alternative names:
Lalat
Emotions evoked by the raga
Mood:
Bhakti (Devotion), Gambhir (Serious), Karun (Sad, Compassionate), Shant (Serene, Peaceful)
Lalit is one of the morning
Sunrise or sunset time period
sandhiprakash ragas. It omits and uses
A flat note
komal , . Both forms of are used in both
Ascending movement of notes
aroh and
Descending movement of notes
avaroh.
A sharp note
Tivra is used while ascending to upper . and are key phrases that represent the Lalit
Style of presenting based on another raga
ang. This raga is considered as one of the exceptions for using both forms of one after the other without any note in between. In addition to
A natural note (corresponds to notes in Western major scale)
shuddha , also has more prominence. Most of the alaps start from the lower . It is an
With focus on notes higher than M or P (depending on the point of view) of the middle octave
uttarang pradhan raga. The most commonly heard type is with komal . The other type, called as Shuddha Dhaivat Lalit, uses shuddha instead of komal and gets grouped under the Marwa
A basis for the organisation and classification of ragas depending on the notes used
thaat.