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A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Bhairav
Preferred time or season for playing
Time:
Early morning
The most prominent note of a raga
Vadi/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 5 notes
Audav-
Containing 7 notes
Sampurna
Alternative names:
Jogia
Emotions evoked by the raga
Mood:
Bhakti (Devotion), Karun (Sad, Compassionate)
Jogiya is a morning raga that uses and as
A flat note
komal notes. This omits and in
Ascending movement of notes
aroh while all the seven notes are used in
Descending movement of notes
avaroh. Though and are used in
Descending movement of notes
avaroh, they don’t have much prominence. This is an
With focus on notes higher than M or P (depending on the point of view) of the middle octave
uttarang pradhan raga suited for semi-classical presentations. Alaps sound much better in this raga and hence occupy a major portion of the presentation. This raga is very effective in expressing intense devotion and pathos.