A basis for the organisation and classification of ragas depending on the notes used
Thaat:Bhairav
Preferred time or season for playing
Time:Early morning
The most prominent note of a raga
VadiThe second most prominent note of a raga
Samvadi:,
Categorization based on number of notes used in aroh and avaroh
Jati:Containing 5 notes
AudavContaining 7 notes
SampurnaAlternative names:
Jogia
Emotions evoked by the raga
Mood:Bhakti (Devotion), Karun (Sad, Compassionate)
Jogiya is a morning raga that uses and as notes. This omits and in while all the seven notes are used in . Though and are used in , they don’t have much prominence. This is an raga suited for semi-classical presentations. Alaps sound much better in this raga and hence occupy a major portion of the presentation. This raga is very effective in expressing intense devotion and pathos.
A flat note
komalAscending movement of notes
arohDescending movement of notes
avarohDescending movement of notes
avarohWith focus on notes higher than M or P (depending on the point of view) of the middle octave
uttarang pradhan