S
R
G
M
P
D
N
A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Bhairav
Preferred time or season for playing
Time:
Early morning
The most prominent note of a raga
Vadi
/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 5 notes
Audav
-
Containing 7 notes
Sampurna
Alternative names:
Jogia
Emotions evoked by the raga
Mood:
Bhakti (Devotion), Karun (Sad, Compassionate)
Jogiya is a morning raga that uses and as
A flat note
komal
notes. This omits and in
Ascending movement of notes
aroh
while all the seven notes are used in
Descending movement of notes
avaroh
. Though and are used in
Descending movement of notes
avaroh
, they don’t have much prominence. This is an
With focus on notes higher than M or P (depending on the point of view) of the middle octave
uttarang pradhan
raga suited for semi-classical presentations. Alaps sound much better in this raga and hence occupy a major portion of the presentation. This raga is very effective in expressing intense devotion and pathos.