S
R
G
M
P
D
N
Thaat:
Khamaj
Time:
Late evening
Vadi/Samvadi:
, 
Jati:
Audhav-Sampurna
Mood:
Chanchal (Lively), Shant (Serene, Peaceful), Shringar (Romantic)
Jhinjoti is one raga common in both Hindusthani and Carnatic music systems. It has as the only
A flat note
komal
note and rest all are
A natural note (corresponds to notes in Western major scale)
shuddha
notes. Though and are omitted in
Ascending movement of notes
aroh
they are used in a curvy manner. All notes are used in the
Descending movement of notes
avaroh
without any curves. Both and get used in
Ascending movement of notes
arohi
like and respectively, which are also the key phrases of this raga. Sometimes komal is also used, especially in semi-classical presentations, for which this raga is suited.