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A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Khamaj
Preferred time or season for playing
Time:
Early night
The most prominent note of a raga
Vadi/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 7 notes
Sampurna-
Containing 7 notes
Sampurna
Do not follow strict ascending or descending order of notes
Vakra
Alternative names:
Jaijaivanti
Emotions evoked by the raga
Mood:
Shant (Serene, Peaceful), Shringar (Romantic)
Jaijaiwanti raga uses both forms of and . The
A flat note
komal is used in the
Descending movement of notes
avaroh as .
A natural note (corresponds to notes in Western major scale)
Shuddha is used both in
Ascending movement of notes
aroh and avaroh in a straight manner. Use of shuddha is limited to aroh only while komal gets used mostly in the avaroh along with an
Ascending movement of notes
arohi phrase , which is also a key phrase. Along with and , one more unique phrase of this raga is where both notes are not of the same octave. will be of the higher octave than . This raga is presented in two styles/types. One is Desh
Style of presenting based on another raga
ang in which is omitted in aroh and the other one is Bageshri ang in which is omitted in aroh. The key phrases remain the same in both types. Desh ang is the most commonly heard one than the other type.