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A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Kalyan
Preferred time or season for playing
Time:
Late morning
The most prominent note of a raga
Vadi/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 5 notes
Audav-
Containing 5 notes
Audav
Do not follow strict ascending or descending order of notes
Vakra
Emotions evoked by the raga
Mood:
Gambhir (Serious), Veer (Bravery)
Hindol is a very late night raga that omits and . It is an
With focus on notes higher than M or P (depending on the point of view) of the middle octave
uttarang pradhan raga. All of the note are
A natural note (corresponds to notes in Western major scale)
shuddha except tivra . is very weak in this raga and is used as a
A note played for a short duration before the main note
grace note with and . is not sustained at all. Though this raga has five notes, because of the weak it is just like having only four notes. But is invariably needed.