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A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Bilawal
Preferred time or season for playing
Time:
Late evening
The most prominent note of a raga
Vadi/
The second most prominent note of a raga
Samvadi:
,  (or , )
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 5 notes
Audav-
Containing 5 notes
Audav
Alternative names:
Hamsadhvani
Emotions evoked by the raga
Mood:
Bhakti (Devotion), Chanchal (Lively), Shant (Serene, Peaceful), Shringar (Romantic)
Hansdhwani is one of the most popular ragas adopted from Carnatic music. This raga omits and . has more prominence and is usually associated with the touch of . Though this belongs to Bilawal
A basis for the organisation and classification of ragas depending on the notes used
thaat some scholars consider it under Kalyan thaat owing to its phrase. Due to its lively nature this raga is mostly presented in madhya and
Fast tempo
drut laya.