A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Kafi
Preferred time or season for playing
Time:
Afternoon
The most prominent note of a raga
Vadi
/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 5 notes
Audav
-
Containing 5 notes
Audav
Alternative names:
Vrindavani Sarang, Sarang
Emotions evoked by the raga
Mood:
Bhakti (Devotion), Shringar (Romantic)
This is also referred to as Vrindavani Sarang or just Sarang. This is a representative for all Sarang variants. It is a simple and popular raga. Both and are omitted in this raga. It uses
A natural note (corresponds to notes in Western major scale)
shuddha
 in
Ascending movement of notes
aroh
 and
A flat note
komal
 in
Descending movement of notes
avaroh
. It is said that this raga was created based on a folk tune usually heard in the Vrindavan area of North India.