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A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Bhairavi
Preferred time or season for playing
Time:
Late morning
The most prominent note of a raga
Vadi/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 5 notes
Audav-
Containing 6 notes
Shadav
Emotions evoked by the raga
Mood:
Bhakti (Devotion), Karun (Sad, Compassionate), Shant (Serene, Peaceful)
It is said that this raga was created by Tansen’s son Bilaskhan. As the name suggests, it is a variant of Todi. The uniqueness of this raga is that Todi is presented using the notes of Bhairavi
A basis for the organisation and classification of ragas depending on the notes used
thaat. This raga is serious in nature and hence suited only for classical presentations.
Melodic improvisation that introduces and develops a raga
Alap occupies a major part of its presentation. The structure of the raga is complex. It uses , , and as
A flat note
komal notes. and are omitted in
Ascending movement of notes
aroh while is omitted in
Descending movement of notes
avaroh. One should be cautious in presenting this raga as it is very close to Komal Rishabh Asavari and Bhairavi, which also have the same notes.