A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Bhairavi
Preferred time or season for playing
Time:
Late morning
The most prominent note of a raga
Vadi
/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 5 notes
Audav
-
Containing 6 notes
Shadav
Emotions evoked by the raga
Mood:
Bhakti (Devotion), Karun (Sad, Compassionate), Shant (Serene, Peaceful)
It is said that this raga was created by Tansen’s son Bilaskhan. As the name suggests, it is a variant of Todi. The uniqueness of this raga is that Todi is presented using the notes of Bhairavi
A basis for the organisation and classification of ragas depending on the notes used
thaat
. This raga is serious in nature and hence suited only for classical presentations.
Melodic improvisation that introduces and develops a raga
Alap
 occupies a major part of its presentation. The structure of the raga is complex. It uses , , and as
A flat note
komal
 notes. and are omitted in
Ascending movement of notes
aroh
 while is omitted in
Descending movement of notes
avaroh
. One should be cautious in presenting this raga as it is very close to Komal Rishabh Asavari and Bhairavi, which also have the same notes.