A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Asavari
Preferred time or season for playing
Time:
Late morning
The most prominent note of a raga
Vadi
/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 5 notes
Audav
-
Containing 7 notes
Sampurna
Emotions evoked by the raga
Mood:
Bhakti (Devotion), Karun (Sad, Compassionate)
Asavari is the representative raga of Asavari
A basis for the organisation and classification of ragas depending on the notes used
thaat
. This raga has , and as
A flat note
komal
 notes. phrase is used often. and are key phrases of Asavari. is considered as the Asavari
Style of presenting based on another raga
ang
. Asavari gives reduced importance to . This raga is very close to Jaunpuri, which also uses the same notes. Jaunpuri differs by using in
Ascending movement of notes
aroh
 and the prominence of . When komal is used instead of
A natural note (corresponds to notes in Western major scale)
shuddha
 in Asavari, it is called Komal Rishabh Asavari.