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A basis for the organisation and classification of ragas depending on the notes used
Thaat:
Asavari
Preferred time or season for playing
Time:
Late morning
The most prominent note of a raga
Vadi/
The second most prominent note of a raga
Samvadi:
, 
Categorization based on number of notes used in aroh and avaroh
Jati:
Containing 5 notes
Audav-
Containing 7 notes
Sampurna
Emotions evoked by the raga
Mood:
Bhakti (Devotion), Karun (Sad, Compassionate)
Asavari is the representative raga of Asavari
A basis for the organisation and classification of ragas depending on the notes used
thaat. This raga has , and as
A flat note
komal notes. phrase is used often. and are key phrases of Asavari. is considered as the Asavari
Style of presenting based on another raga
ang. Asavari gives reduced importance to . This raga is very close to Jaunpuri, which also uses the same notes. Jaunpuri differs by using in
Ascending movement of notes
aroh and the prominence of . When komal is used instead of
A natural note (corresponds to notes in Western major scale)
shuddha in Asavari, it is called Komal Rishabh Asavari.