S
R
G
M
P
D
N
Thaat:
Bilawal
Time:
Late morning
Vadi/Samvadi:
, 
Jati:
Shadhav-Sampurna Vakra
Mood:
Bhakti (Devotion), Shringar (Romantic)
Alhaiya Bilawal is considered as the representative raga of Bilawal
A basis for the organisation and classification of ragas depending on the notes used
thaat
. Both forms of are used in this raga.
A natural note (corresponds to notes in Western major scale)
Shuddha
is used both in
Ascending movement of notes
aroh
and
Descending movement of notes
avaroh
while
A flat note
komal
is used only in avaroh, usually as phrase. is omitted in the aroh. In aroh, will usually have the touch/
A note played for a short duration before the main note
grace
of and in avaroh, the touch of . But in fast movements this gets simplified and used linearly.