A basis for the organisation and classification of ragas depending on the notes used
Thaat:Kafi
Preferred time or season for playing
Time:Midnight
The most prominent note of a raga
VadiThe second most prominent note of a raga
Samvadi:,
Categorization based on number of notes used in aroh and avaroh
Jati:Containing 5 notes
AudavContaining 5 notes
AudavEmotions evoked by the raga
Mood:Bhakti (Devotion), Karun (Sad, Compassionate), Shant (Serene, Peaceful)
Abhogi is sometimes also referred to as Abhogi Kanada. As the alternative name suggests, it is one of the variants of Kanada. This raga has been adopted from Carnatic music. It omits and and employs all notes except . This raga is presented in two forms that differ in the use of . When presented as a Kanada variety, will be used in the (note the vakra use of ), which is one of the characteristic phrases of the Kanada group. Alternatively, is used in a straight descending manner (as in ). Therefore, some experts consider the differing use of as a characteristic difference between Abhogi Kanada and Abhogi. Pertaining to being a Kanada variety, slight oscillation () is applied to the note, which is another characteristic feature of the Kanada .
A natural note (corresponds to notes in Western major scale)
shuddhaDescending movement of notes
avarohSlight oscillation applied around a note
andolanStyle of presenting based on another raga
ang